Wegen picks testing report: AMAZING !
From: peillon.patrick.
Hi folks,
For those interested in very good picks, I just received a pick
today from Michel Wegen, Netherlands. And I must say it is the
best pick I have ever been using up to now (right after my home-made
tortoise shell picks...). This Stochelo Rosenberg model pick is
the closest thing to real tortoise shell that I've ever been given
the chance to play ! In some aspects it is better (like the fact
that it conveys even less pick noise than tortoise shell does).
And of course, in some aspects it is slightly worse (but SO slightly
!) For instance, it is not as warm, and does not convey as much
harmonics and overtones as tortoise shell really does. But the
difference is slight, believe me. For a full and more detailed
report, here is what I wrote to Michel Wegen as a feedback (for
those who are interested). Let me add that Michel is extremely
easy to do business with as he proposed to send me the pick on
a free trial as I was not convinced at first (being a firm believer
in tortoise shell). His picks are great, and even though expensive,
they are worth the price I think.
Take care, Patrick.
So here is the report I wrote to Michel:
Hello Michel, I just wanted to let you know that I just received
your pick today. It looks great and feels really great in the
hand. I am extremely surprized by the light weight of the material,
given the shape and thickness the pick has. Actually, to be completely
honest, your pick is almost identical in shape and thickness to
the one I've been using recently (the one I make myself out of
tortoise shell), except your pick seems a little bit more refined
(more polished than mine on the surface). The edge angle of both
your pick and mine are very very similar too... So I guess all
these similarities are appropriate to compare both picks and material
objectively. I played them back an dforth for about an hour tonight
and it seems there are some differences.
1) My strongest perception is that tortoise shell conveys
more harmonics than your material. So I would say the tone is
somewhat richer with tortoise shell. You hear a kind of "granularity"
or "grain" in the tone that is very enjoyable whereas your pick
conveys a somewhat more straight tone. Both tones are very precise
and clear though.
2) Another obvious perception that I have is that tortoise
shell conveys a warmer tone than your material does. It is more
rounded and fat, so to say.
But I do appreciate the fact that your pick
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From: Archtop Eddy (Ed Parsons)
I receieved a pick from Michel Wegen this week. Now that I've
had a chance to use it a while, I want to give you all my assessment.
I was using Dunlop 208s, which under normal conditions are fairly
thick picks, measuring in at 2.08 mm. The Wegen pick I received
(which is based on the pick used by Stochelo R.) measures
a whooping 3.5 mm. This adds a bit of weight which required renewed
attention to my right hand techinique (in my case left-hand technique
since I'm a lefty...). After playing with the Wegen pick for a
few days now, I've adjusted comfortably to the new pick. The advantages
I'm getting from the Wegen pick are increased volume, tone and
clarity when playing faster runs. The factor of tone is the most
subjective of these attributes. The Dunlop gave a warmer (sometimes
duller) sound than the Wegen. In quieter situations or when played
with amplification, the Dunlop tone is fine and lends itself to
a wide range of tonal effects (i.e., tension and release during
single line playing). However, the Wegen with the increased volume
and clarity is ideal for playing acoustically with other players.
Especially if you're playing lead lines, it allows you the volume
dynamics that clearly cuts through the thumping rhythm section
of two or more other guitars. This means you can spend more time
focused on your solo's direction rather than playing in a manner
that's volumecentric in nature. The picks are well made and Michel
was very quick with his service. He also has a great sense of
humor. I have no commerical interest with Michel, I just want
to pass on the word as a satisfied customer to other players who
may be looking for a new pick. He can be reached at michelwegen@v...
In a style of music where finding the right pick can be so important,
it is good to know fine pick-crafters as Wegen or Dugain are making
plectrums to suit our unique needs. Of course now, once you have
the right pick, the right strings, the right Selmer-style guitar,
the right videos, and play-along CDs, there's little else you
can do but look in the mirror to assess the final piece of equipment
that needs improvement. At this point, perhaps, all you can do
is point at your image in the mirror and say, "Bring me the hands
of Stochelo Rosenberg!" A.E.
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has a pretty warm tone for a plastic-based material, although
not exactly as warm as tortoise. all these differences are subtle
though.
3) Now regarding the stiffness of the material, I don't
know why but your material feels a bit better than tortoise. Your
pick is very stiff (which exactly what's good for guitar playing
in my opinion) but not exactly as stiff as my tortoise shell pick
feels. And that gives your pick a better feel I think. This is
very personal though.
4) Your pick design is just fantastic ! I couldn't say
anything else (especially as my pick has an identical shape and
thickness). But your design goes way farther than I do in terms
of craftmanship, attention to details, etc. I love the place where
you put the thumb so that the pick is not too slippery. It's not
disturbing at all and feels great. The thickness is exactly right,
given the stiff material that you're using. The "teardrop" shape
gives you just the right amount of cutting edge when attacking
the strings. The edges of the pick and marvelously rounded but
not too much. Edges are very smooth, which allows for an easy
string/pick friction, and allows the player to play fast. You
don't have the feeling that your pick is dragging behind when
you play fast because it glides on the strings,a nd doesn't have
much friction on them. So really, I am not exagerating: your pick
design is fanstastic !
5) Last point: your material conveys a little bit less
pick noise than tortoise shell does. It has some kind of shock
absorption capability that is very enjoyable. It still is stiff
enough to give you a powerful and even crispy attack if needed,
but is not conveying much pick noise when the pick touches the
strings. So here it is I am convinced that you make wonderful
picks for sure. I guess I need to play with your pick for few
more days to see if my first impressions are still right after
a couple days playing. Also one thing I couldn't test for now
(which will require more time to do so) is how fast or slow the
picks is wearing out with the use. The most terrible test for
that is to play sock rythm like crazy for a full afternoon. A
previous horn pick that I used to have just got killed in one
day this way ! And that's certainly one aspect where tortoise
is really good at also as it wears down so slowly... P.P
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John Friedrichs.
I'm using Michel's plectrum's since 1994 and was always looking
for the right pick. Not in a way of shape or size, but the right
material as a substitute for turtleshell (wich still is the nicest
sounding material, but so hard to get...). At that time I was playing
and busking a lot in Amsterdam with Robin N. I had to make new pick's
very often. Some only lasted a week, two weeks, but never longer
then a month. And my sources were getting dry. Then I was introduced
to Michel by a friend. Like I said I always used to make my own
pick's and asked Michel to make a copy of my own. He made one. I
played with it for about one(!) year and still can use it. Have
you ever heard of a pick that's been used very intensivly for at
least 20 houres a week, month after month?! Over four years of busking
etc. I've used about only 4 of Michels plectrums. And that's not
to bad. But did more than just copying, he aded some af his ideas
to get a better grip. After 6 years of playing with Michels pick
I only can say: Get one and you won't be disappointed! J.F.
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